Posts In Category

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evidenza_IMG_0950_nucci
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Italian design’s alternative history has gone through three eras. In the 1930s, it was about autarky, or self-sufficiency; in the 1970s it was austerity…

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turkish-stones-evid
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Organized by Turkish Stones Turkish Stones with exhibition design by Studio RDM’S for Milan Design Week…

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desiderabilia-evid
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Desiderabilia engaged 25 designers is a project in which they were each asked…

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baas-evid
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“Ladies and Gentlemen, it’s showtime! Come and let us entertain you with this…

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evidenza_XLxs-Copyright-Isbella-(18)
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Namely, how many architects seeking answers to the demands arising from their architectural projects are able to work…

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stampa-saloni
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Last February 12th, in the historic setting of the Palazzo Reale in Milan, the press conference was held, as it is every year, during which the president of…

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fornasetti-evid
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Piero Fornasetti was a sculptor, painter, designer, artisan, decorator and the man behind one of the 20th century’s biggest collections of objects and furniture. Through his creative talent, he transformed ornamentation into a structural element during the design phase. From his debut as a painter inspired by metaphysical art, to

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Doll's-House
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The project “A Doll’s House” was organized by real estate developers in the Cathedral Group, inspired by the doll house that Edwin Lutyens built for the British Empire Exhibition in Wimbledon in 1922. They brought in 20 eminent architects and designers to take on the challenge of designing and building this

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Gio-Sumbadzeevidenza
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Gio Sumbadze is a Georgian architect and artist. This year, he and his compatriots will take part in the Biennale of Art in Venice, having designed the exhibition space based on the model of the informal “loggia” where he lives and works in Tbilisi. Sumbadze works primarily with collective formats.

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meraviglia-evidenza
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With over 150 pieces made between 2010 and 2013, the students of the Atelier of Riccardo Blumer at the Accademia di Architettura USI delineate their processes through performances, installations, and three-dimensional models. The educational experience becomes a metaphor for investigating the world. Because architecture is an expressive form that changes

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